剧情介绍
康沃尔渔村的风景明信片田 园诗误导了人们。 虽然过去钓鱼是一种养家糊口 的方式，但如今富有的伦 敦游客纷纷下山，取代了当地人 ，当地人的生计因此受到威胁 。史蒂文和马丁兄弟的关系也 很紧张。马丁是一个没有船 的渔夫，因为史蒂文开始用它来为 一整天的游客提 供更赚钱的旅游。他们卖掉了这座 家庭别墅，现在 看来，最后一场战 斗是和新主人在海 边的停车位上展开。 然而，情况很快就失控 了，而不仅仅是因为车轮夹钳 。 Bait是一种黑 白，手工制作，16 毫米胶片制作的电影。 许多关于鱼、网、龙虾、长靴 、绳结和渔篮的 特写镜头让人想起了蒙 太奇景点的理论。对不同社会 阶层的描述——可以说 是阶级关系—— 也让人想起了英国电 影中的社会现实主义传统。然而， 最重要的是，在影像中不同层次 的电影历史参考文献之下，当 前许多政治关联正在等待 被发现。 The picture -postca rd idyll of the C ornwall fishi ng village is misleadi ng. While fis hing used to b e a way of s upporti ng oneself, wealth y London touri sts have now descended and are dis placing the lo cals, whose livelihood is thus threaten ed. The relatio nship b etween br others Steven and Martin is also strained. Martin is a fisherman wit hout a boat, s ince St even star ted using it for far mo re lucrat ive tour s for a ll the day-t rippers. They’v e sold the fami ly cotta ge and now it seems th at the fin al battle to be fought is that with the new owners over the parking spa ce next t o the sea. Y et the situation s oon gets out o f hand, and not just bec ause of t he wheel cl amp. Bait is a black-an d-white fi lm shot on hand-pro cessed 16 mm. Nume rous close- ups of fish, n ets, lobsters , wellin gton boot s, knots an d catch bask ets bring to mind the theory of a montag e of attractio ns. The depiction of the differe nt socia l strata – one cou ld speak of cla ss relations – is also reminis cent of the tradition of s ocial r ealism in British cinem a. Above all, howev er, a wh ole lot of curr ent pol itical relev ance is w aiting to be discove red beneath t he different l ayers of film h istorical re ferences contai ned in the image s.详情
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