剧情介绍
The iss ue of W ar widow represent ation in Israel i cinema is one of the most comp lex for the lo cal industry for it s eems to be unique and with a very local and specific iconog raphy. The war Widow is a d ifficult char acter to digest . Because this is an especially pai nful topi c in Israel, i ts mode of r epresent ation is almo st always p roblematic. Gila Al magor in Tofano&am p;#39;s & quot;siege&a mp;quot ; is one of the first ch aracters of the & ;quot;modern& amp;quot; war widows to ap pear on Israe li cinem a screens. The human and socia l complex ity of th e status of widows was not represen ted adequately and personally until her complex and f ine appeara nce in this film. It was mostly Preceded by cliches of heroic women who hav e sacrifi ced for the nation with characters to which it was very dif ficult to ge t attached, n or to th eir personal grief. & quot;Siege& quot; was dir ected by an unk nown Itali an director of that period. Alth ough Gilbert o Tofano wa s brought as a professional director on the wings of inspir ation made by the Fr ench New W ave of those y ears, he managed to t urn out a very exciting work which has caught the Israeli warmth and sense of social sie ge whic h surrounds the Is raeli wid ows, inc luding t he great expe ctation s from th em and the social st igmas. Tofano w rapped his l eading lady wi th lots of war mth and gave a place of honor to A lmagor& ;#39;s impress ive presen ce in th e film. This i s without a do ubt one o f Almagor&# 39;s best and mos t accura te perform ances. The res traint in her performa nce plus the sh ooting and ex pressive use of angle s by Tofan o and his sof t Europea n touch which w as far off from the ag gressive local produc t manag ed to p roduce a s ense of documenting an authe ntic tr agedy with a ta ngible per sonal touch th at minimized th e national dimensi on. The resu lt stand s the tes t of ti me proudly several decade s after its creation .详情
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